We should not ask whether the maiden in the mor is a Marian allegory or a Germanic river nymph, but instead ask how the figure of the maiden is informed by water and flower. Is she distinguishable from the mor? Or is there no clear boundary between the maiden and the mor, is she fully enmeshed with the mor and its flora, an assemblage and an entirely new object? She is an anthro-object indistinguishable from water and plant; just as anthro-objects are themselves nearly 70% water, the maiden in the mor is engulfed in the water of a marsh for a full 7 nights..and a day.